Cairo, Egypt
Curated by
Ehab Ellaban
The 11th Cairo Biennale explored the radical changes brought about by the digital revolution and media globalisation. Ahmed's Evolution of Man was shown for the first time in the Arab world.
The exhibition's curator explains the concept of "The Other"
"The other is no other but myself. A motto that is declared and manifested every day in world politics, military strife, clash of civilisations, conflicting ideologies, numerous ethnicities and beliefs. The Cairo Biennale, aware of such juxtapositions, will probe what we perceive today as the other; we are inviting creators/artists to explore the realms of the other within and without. Contemporary art practices today assimilate native and universal cultures, as well as local specificities of history, heritage and legacy, and produce artworks representative of the artist in her/his social milieu; the art production is an authentic documentation of space and time. Common belief with or without evidence raises doubts about, the other: the other tries sometimes to undermine the other’s culture, heritage and/or history. Human wealth is in our diversity; The Cairo Biennale, in its eleventh edition encourages artists to foster diversity and tolerance. We believe that the other dialogues, bridges and interacts with diversified cultures and civilisations. New horizons will eventually uncover through such dialogue; results may not be as important as the process; dialogue and interaction with the other are the paramount objectives. Newer perspectives will enrich others who will follow, and new foundations for such interactivity will be established through this research. In our quest to attain such a dialogue, artists will reflect upon their own practices and praxis, as well as of other artists from the four corners of the globe. The other becomes then both the self and the surrounding others. Our other can also be seen as a subtraction of a local culture, with all its specificities, from the universal culture that contains numerous cultures in cumulative patterns. Utopia versus sophisticated social dynamics, belief versus suspicion and reality versus fiction all will contribute, in art practices, to reveal both in theory and practice what our invited artists perceive as the “other”. Dialogue leads to better perception of the other, and eventually a better reality."
The challenge is to host revolutionary diversity while respecting traditional methods of expression. The biennale juxtaposes videos and site-specific installations with painting and sculpture; the concept is tolerance, understanding the other.